By Rajiv Kaushik
Art and Institution examines how for Merleau-Ponty the murals opens up, with out conceptualizing, the development of being. Rajiv Kaushik treats Merleau-Ponty’s renderings of the paintings – in particular in his later writings through the interval starting from 1952-1961 – as a course into the being that precedes phenomenology.
Replete with references to Merleau-Ponty’s reflections on Matisse, Cézanne, Proust and others, and that includes Kaushik’s personal unique reflections on quite a few artistic endeavors, this ebook is guided via the idea that paintings doesn't iterate the findings of phenomenology quite a bit because it permits phenomenology to ultimately detect what, as a question of precept, it seeks: the very beginning of expertise that isn't itself on hand to concept. Kaushik is therefore interested by the ways that the murals restores the main of establishment, ahead of the intentional buildings of attention, in order that phenomenology may perhaps settle questions pertaining to ontological distinction, the origination of importance, and the connection among interiority and exteriority.
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Extra info for Art and Institution: Aesthetics in the Late Works of Merleau-Ponty (Continuum Studies in Continental Philosophy)
Art and Institution: Aesthetics in the Late Works of Merleau-Ponty (Continuum Studies in Continental Philosophy) by Rajiv Kaushik
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