By Louise Geddes

ISBN-10: 1683930444

ISBN-13: 9781683930440

Appropriating Shakespeare: A Cultural historical past of Pyramus and Thisbe argues that the colourful, transformative heritage of Shakespeare’s play-within-a-play from A Midsummer Night’s Dream throughout 4 centuries permits us to determine the way Shakespeare is used to either create and critique emergent cultural tendencies. as a result of its cautious contrast among “good” and “bad” artwork, Pyramus and Thisbe’s playful meditation at the foolishness of over-reaching theatrical ambition is again and again appropriated through artists looking to parody modern aesthetics, leading to an ongoing evaluate of Shakespeare’s worth to the time. starting with the play’s personal construction as an appropriation of Ovid, designed to maintain the rowdy clown in payment, Appropriating Shakespeare is a wide-ranging examine that charts Pyramus and Thisbe’s personal metamorphosis via opera, novel, tv, and, in fact, theatre. This distinctive historical past illustrates Pyramus and Thisbe’s skill to draw like-minded, experimental, genre-bending artists who use the textual content as a method of exploring the price in their personal person craft. finally, what this historical past unearths is that, in excerpt, Pyramus and Thisbe affirms where of artist as either buyer and manufacturer of Shakespeare.

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Appropriating Shakespeare: A Cultural History of Pyramus and Thisbe (The Fairleigh Dickinson University Press Series on Shakespeare and the Stage) by Louise Geddes


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