By John Glavin
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The Greek fleet sure for Troy is becalmed. For the sake of a wind, Agamemnon, chief of the Greek forces, is persuaded that he needs to sacrifice his daughter Iphigenia. yet because the priest increases his knife to slit the child’s throat, the goddess Diana spirits her away. Clytemnestra, Agamemnon’s spouse, believing her liked daughter to be lifeless, slays her husband in revenge on his go back from the Trojan wars.
Gathered for the 1st time in print, over a decade of texts from one in every of British theatre’s fiercest and so much person voices, documenting the extreme site-specific solo performances that have run parallel to Bartlett’s acclaimed paintings as a mainstream director. Neil Bartlett used to be creative Director of the Lyric Theatre Hammersmith for a couple of years.
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Extra info for After Dickens: Reading, Adaptation and Performance (Cambridge Studies in Nineteenth-Century Literature and Culture)
After Dickens: Reading, Adaptation and Performance (Cambridge Studies in Nineteenth-Century Literature and Culture) by John Glavin
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