By Brett Wilson

ISBN-10: 1611483646

ISBN-13: 9781611483642

A Race of lady Patriots argues that public-spirited girls proliferated at the eighteenth-century British degree to catalyze an affective event of political belonging, as dramatists imagined new types of association, allegiance, and loyalty appropriate to the hot British structure demonstrated bythe wonderful Revolution of 1688. Brett D. Wilson examines either staples of the repertory (The reasonable Penitent, Jane Shore) and lesser-known performs (Liberty Asserted, The Revolution of Sweden, Edward and Eleonora) to outline the parameters of a frequent but under-examined dramatic mode: “civic” dramas that use scenes of political strife and personal misery to level the fashioning of groups round girls. Onstage, ladies act to learn the public—crucially, Wilson argues, by means of infusing the commonwealth with sentimental ardor: public spirit. Playwrights like Nicholas Rowe, Catharine Trotter, John Dennis, and James Thomson make the female-centered unions they think into synecdoches for a British state reworked from turmoil to concord. Restoring to view key missed texts that painting ladies who believe deeply as brokers of inclusion and icons of civic advantage, A Race of lady Patriots is a persuasive examine of tragic drama at a time of significant political swap that yields new perception into the relation among ladies, feeling, and the general public sphere.

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A Race Of Female Patriots: Women and Public Spirit on the British Stage, 1688–1745 (Transits: Literature, Thought & Culture, 1650–1850) by Brett Wilson


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